Elliot Negelev the gifted painter cool and contained stands proudly in front of a prosperous landscape that may include a portrait of his own residence. In this self-portrait the fine yet restrained clothes direct gaze and proud bearing characterize the new Renaissance emphasis on individualism. The three-quarter turn of the body with his arm forming the base of the triangular composition became a popular pose in that era; not incidentally it draws attention to Elliot’s ring and the fine Middle Eastern carpet covering the table.